Alison Alstrom, a white woman with glasses and brown hair, standing in front of a large body of water. She is wearing a scarf and a green jacket.

I was born in San Francisco in 1969, and live and work in San Francisco's Mission District. I began painting in oil as a little kid alongside my aunt, who at that time painted landscapes en plein air, and took classes in drawing and painting at CCSF and elsewhere from the mid '80s through the 1990s . In 1999, I received the Merit Fellowship award from the San Francisco Art Institute, where I studied painting under Pat Klein and briefly, Brett Reichman. Following that, circumstances took me away from painting for almost two decades. I began showing work in the spring of 2023.

There was a time when writing, which I could do on an airplane, in a parked car, or in bed when I wished I was sleeping, filled the space where painting wasn't.  I was awarded the Atheneum Fellowship in creative nonfiction at the Attic Institute of Arts and Letters in Portland, Or. in 2018. A few essays I wrote have been published in various  journals, linked to below. One of those, "Good Morning, Heartache" is cited in an open-source creative writing textbook published by Northern Iowa University in 2023 to illustrate the use of synesthesia as a descriptive mechanism.

Shows

2024  •  an invitation to mercy, (upcoming Nov 9) w/ Deirdre White and Rommel Rommo, Bane Gallery, San Francisco
2024  •  re:present  • group show curated by Val Carter, Third Street Gallery, Moscow, Id
2023  •  beauty is not a soft thing only  • solo show, Latin American Club, SF
2023  •  upstairs downstairs  • group show curated by Sylvie McClelland, San Francisco
2000  •  the western show  • group show curated by Alexis Georgeopolis, San Francisco Group Exhibition curated by Alexis Georgeopolis, San Francisco, 2000

Publications

Hens & Chicks (Jelly Bucket, 2023, link to come)
Good Morning, Heartache, (North American Review, 2023)
Big Frenchy (Upstreet, Issue 18, 2022)
About the Herons (Proof That I Exist, 2021, link to come)
My Work and His Walk Through the Storm (ST Katherine Review, 2020)
Precious Words (Brevity Blog, 2020)

Commissions

“Clane Holding a Drawing of Moose”, was Commissioned by Clane Hayward in 2022, Completed summer 2023

Statement

I am fascinated by the interplay of identity and exposure, and find inspiration in the vulnerability we step into in relationship, whether interpersonally or in community. My paintings explore the dual acts of seeing and being seen through close examination of my subjects.

Often, random small things I find in the woods, in city parks and sidewalks, or at thrift stores become players in still lifes, and help me make sense of my humanness, and the consequences of it. Birds and parts of birds in various states are a recurring mechanism. In the paintings I’m working on currently, a broken pheasant taxidermy serves as stand-in protagonist in an ongoing study of various feeling states, even as it functions more traditionally as a thing of beauty to be contemplated.